Malina - Bez izvinenie / Малина - Без извинение
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Malina - Bez izvinenie / Малина - Без извинение
https://www.hulkshare.com/e51fws5nx3pc
12 years ago
This blog aims to increase awareness about Pop-Folk music, Chalga, Traditional Balkan Music, Balkan Hip-Hop and Roma / Gypsy music.


I strongly disagree with any presentation of Bulgaria that concentrates on chalga. Although, this is the most popular "music" right now, it is the last thing I would like people to associate my country with.
We do have a lot of world renowned musicians and singers; this is an offense to them, at the very least. You can check out The Mystery of the Bulgarian Voices, Theodosii Spasov, Raina Kabaivanska...and so many more...
We say "Nai-Varvejen" or "The Most Demanded" when a brand is very popular, sells very successfully and people want to have it. In the song, the man she is singing for is "the most demanded", as if he sells well at a store. People like it, but however it is a very stupid song.
And finally, I really love the Mehanata concept and think that its doing a lot of things right (especially viral marketing through the internet) but, honestly, Astika? What's up? It's like the subpar beers of Bulgaria. Why not Zagorka (not my favorite, but good), Shumensko (excellent) or Pirinsko (my favorite). Bulgaria has great beer but Astika doesn't represent like the others. So, when you go, you are better off just ordering a Rakia.This site is dedicated to writing about and sharing our experiences interacting with these musics, along with articulating the connections between musical style and socio-cultural meanings; for example, how was music used to express sides during various Balkan wars in the 90s? How can you trace the history of socialism and roads to democratization and economic independence through musical practices in the Balkans? How do the cultural legacies of the Ottoman and Austro-Hungarian empires play out in the musical practices of today?From my cursory browsing through the subject matter, it looks like a fascinating course that approaches Balkan music the way it should (in my opinion) be approached; through a historical, socio-cultural lens. Apparently, it just isn't me that is fascinated by the symbolic nature of Balkan music and its mixing of cultures. Regardless, I encourage those interested in Balkan music to browse through ETHN 209 and its blog posts. They the blogs are written by university students so the quality ranges between insightful to bland but it continues the conversation. These students study at the Oberlin Conservatory of Music so they are often have a much different approach to music compared to myself because they have a better understanding of the musical structure and also the historical background from other genres and styles. So, without further ado, here is the Ethnomusicology 209 course for Oberlin College: