Bulgarian Horo | Is there a common Ottoman imprint in the Balkans?

This is a Dunavski Horo which is a Bulgarian Horo based out of the Northern region in Bulgaria bordering the Danube River. Horo is a Bulgarian Folk dance usually done in a circle while hold hands. The types of Horo vary in style by region, hence the naming of this horo as the Dunavski Horo (Danube Horo).


I've decided to highlight some the difference folk dances throughout the Balkans on the blog. It is somewhat controversial (at least in the Balkans) but I keep seeing visually and through audio a common linkage which I feel may come from the occupation of the Ottoman Empire. I'm curious what other people think.

I must explain to Western readers that these different forms of folk dance are usually interpreted as culturally separate, independently developed folk cultures. To tell a Bulgarian that Horo is similar to modern day folk dancing in Turkey (or another Balkan country) is an affront to their nation and culture and most would be, at a minimum, upset if not aggressive. The same goes for Greek folk dancing, Macedonian, Kosovoian, Albanian, etc. Each country has its unique cultural identity that defines it as separate from the great Balkan whole. These societies cling to folk dance and music a way to prove the right for their countries to exist. The logic follows: If the people speak different languages and have different folk dance and music traditions then they music be culturally different enough to be determined as a separate country. This holds true in Bulgaria, where its unlikely a single Bulgarian would openly admit any Ottoman influences on their Folk dance and music traditions.

Kosovo and Montenegro are good examples of the cultural concept. They both have created new languages base off of dialects of Serbian while also asserting their own cultural brand of folk dancing. However, they are newly created countries with little history as a Political Nation while obviously having centuries of history as a territorial region. Fifty years ago, it was Bulgaria with Philip Kotev making is cultural stamp of uniqiness with the revival of Bulgarian Folk Dance and Music.

I'm showing these forms of folk music dances together in this series because I find it fascinating from an outside perspective in how they seem to have a common undercurrent. However, please be aware that it may seem somewhat culturally insensitive to do so in such a manner.